CRASH LAB

Afterlight / V Mosaic / AFL-12

V · Mosaic · AFL-12 of 25 · 2:58

The mix

The note that produced it

“The voices are not good.” Find the longest audio possible; more sound design, ramps, echoes; elongated time, deep warm reverb.
“I want each to be a mosaic assemblage of the tracks, never the whole track. Each a separate video experiment to see the samples, get the groove.”
“Make one song out of these samples,” about two and a half to three minutes.

What was made

One set made from nine tracks of the Warm Dome & Golden Record sessions, tempo climbing from 83 to 128 bpm. Each passage plays in its source track’s own picture technique, and the seam between two techniques burns away and sheds embers.

Sun → Copper Glow ten semitones down → Beckoning grains → Takumi → golden record → Warmth over Warm Dome → Picture one-shots → Copper Glow at 128 → Dawn at half speed

Open the listening room

What came back

The note on this version, which produced AFL-13 Takumi Archive:

Use only the first 29 seconds.

A film concept by Sosuke & Watson · CRASH LAB · PAELEO · CINEOSIS LAB