Your actions are saved in this browser and play in the Sound tab of CUT and WAG at each line’s place on the suite clock (tracks “Bench”). The clock there cannot stretch, so a held breath becomes a 1.5 s hole in the whole mix.
Rows are Deamer's, after Chion (p.167). The four picture moves are Deamer's list of how the time-image breaks the sound–image contract (p.168). Hold the breath follows his reading of Five (pp.302–304); whispers inside one body, his solid perception (pp.179–180). Every other action-to-sign link is the editor's inference. The words, grades, pitch, pauses, sung twins and chops are the WYGWYL atlas's own data.