The Markov Poet
Type or say some words. Get a film cut from 16,153 shots of the public Moving Image Archive. Change any shot. Send the film.
How it works
One sentence, through the engine, live.
A line break, a comma, "while", "but", "after" start a new line. A blank line starts a new scene.
CLIP reads the line and all 16,153 shots. Each shot gets a chance. Tap a line above to see what it weighs.
The engine picks the one film that can play the most of the scene's lines, and cuts inside it, forward in its time.
"Every evening" returns to the same place. "While" and "across the city" cut between two people. "Cannot leave" never shows the leaving. "But" holds the shot.
The coloured line under each shot is its Cineosis sign: the kind of image it is (colours below).
In any room, tap CHOOSE (or a tile) to replace a shot, then SEND: a project file a friend opens and remixes, a finished MP4, or a link.
The colour of a shot
Eight kinds of image, from the Cineosis periodic table.
Why "Markov"
In 1913 Andrey Markov counted which letter follows which in Pushkin's Eugene Onegin. Each choice here works the same way: the next shot depends on the line and on the shots already cut. The machinery says which shots were possible. It does not say which one you kept.
So every room keeps the path: what was offered, how sure the engine was, and where somebody chose otherwise. A class is not a path.