ALLWAYS 059 — EQUIVALENT RADIUS — V02
38 seconds / 960×720 / 30fps / twelve archive frames plus two source-motion releases.

THE EXPERIENCE
A common graphic center crosses timekeeping, transport, projection, sound, lighting, optics, eating, automotive components, sight, recordings, film handling and play. The uneven bread roll on its side plate interrupts the series. Its release puts shape back into a meal. The final ball leaves through the original source frame's top edge; digital framing does not manufacture that exit.

CONTROLS AND RECOVERY
The control retains source order, holds, two motion passages, closing title and identical composed sound. Still framing is fitted to the full frame instead of registered. build.py + extract_stills.py recover both renders from included source clips. Dependencies: Python3, Pillow, numpy, ffmpeg/libx264, ffprobe, DejaVuSans. Run from the parent folder so original relative paths resolve. document.py reconstructs the timing record.

REGISTRATION AND LIMITS
Only translation and uniform scaling. No rotation, mirroring, morphing, color treatment or shape correction. Original decoded PNGs preserved. Raw pixel grids retained; no anisotropic SAR correction. Inspect manual masks and yellow contour/red center overlays. These are outer-footprint annotations, including holes and approximated occluded rims, not automatic pixel segmentation. Elliptical perspective and imperfect contours remain. Bread uses an eleven-point hand drawn contour rather than a forced ellipse. Equivalent-area radius is 150 output pixels, center(480,360). Measured zero residual follows the declared annotation mathematically; it does not prove visual stability or accurate object boundaries. Lens perspective, the tire's cropped extent, and uneven bread edge and occluded iris remain uncertainties.

SOUND
An original SYNTHESIZED sine/noise pulse, not source audio or a recording of real taps. Timbres vary; the expected14s beat is absent. This is a declared departure from the prompt's suggestion of licensed/newly recorded taps. No music from the Ball reference is reused. Pulse amplitudes and digital integrity can be checked; neither builder nor visual critic has listened in this environment. No auditory acceptance claimed.

SOURCES AND RIGHTS
The twelve film identities, archive clip IDs, retrieved public mirror links, original source URLs, source years where supplied, exact decoded frame IDs, clip PTS, absolute source time, original PNGs and local source files are retained in STILL_SOURCES.json and TRANSFORM_LEDGER.json. Titles/dates are catalog metadata, not independent historical authentication. Twenty candidate clips were foraged; source selection was based on extracted footage rather than tags. This is a private archival experiment. Public accessibility is not permission evidence: underlying reuse licenses/permissions remain unverified and no public release is authorized or performed. Source instructional, performance and staged contexts are not claimed to be candid observation.

LINEAGE
Interpretation of the documented method in prompt59.txt. The full Ball reference was not watched, and no claim of close formal fidelity or reference superiority is made.

REVIEW
Actual independent critic transcript accompanies the work. Visual temporal-sheet review is distinct from normal-speed picture/sound screening. Overall normal-speed audiovisual acceptance remains pending even if the image evidence earns a visual pass. Do not promote the film as fully tribunal-passed on structural checks alone.

V01→V02 REPAIR RECORD
Critic A could not isolate the hand-obscured bread circumference at12–14s. V02 instead registers the visible uneven sideplate roll in the same source frame, then releases to meal context. The hands handle another piece; this is not evidence that the matched roll itself is eaten. Critic A also withheld literal edge-exit confirmation. V02 starts the final still/moving passage two source frames earlier, retaining more of the dip and rising arc, and extends native motion from1.1 to1.3s. Original V01 films and transform/source records remain preserved. No geometric warp or added edge animation used.