{
 "slug": "zero-memory",
 "title": "ZERO MEMORY",
 "state": "proof in progress",
 "summary": "Fresh editors with no record of each other cut the same twelve excerpts. Three given a list of what each excerpt says made nearly the same five-excerpt film, which the film plays with a black card after each. A fifth editor, given a shuffled sheet and no list, made a different one, set beside the first.",
 "video": {
  "src": "zero-memory.mp4",
  "poster": "poster.jpg",
  "duration": 114.75,
  "width": 800,
  "height": 600,
  "card": "ends with a 5 s card naming every source"
 },
 "searches": [],
 "looks": [],
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   "dur": 4.167,
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   "year": 1944,
   "slug": "plastics-54e2d1cf",
   "clip": "cb5a0455-bd09-5532-9d3e-b6c402b83f71",
   "source_in": 62.796,
   "source_out": 66.966,
   "transforms": [],
   "why": "state 1, excerpt A: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/54e2d1cf-1cd8-5731-ba47-6e42ec6ffce2/v4-conditional-luna-1/clips/cb5a0455-bd09-5532-9d3e-b6c402b83f71.mp4",
   "clip_start": 62.696,
   "source_slug": "plastics-54e2d1cf"
  },
  {
   "position": 2,
   "at": 4.167,
   "dur": 3.167,
   "source": "Place to Live, A",
   "year": 1948,
   "slug": "place-to-live-a-7f791137",
   "clip": "39e0a0fa-5d4c-52f0-a96a-679fc89662e0",
   "source_in": 2.718,
   "source_out": 5.868,
   "transforms": [],
   "why": "state 1, excerpt G: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/7f791137-0a84-559e-8495-4714858bf07f/v4-conditional-luna-1/clips/39e0a0fa-5d4c-52f0-a96a-679fc89662e0.mp4",
   "clip_start": 1.568,
   "source_slug": "place-to-live-a-7f791137"
  },
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   "position": 3,
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   "dur": 5.0,
   "source": "Kentucky Pioneers",
   "year": 1941,
   "slug": "kentucky-pioneers-061890c6",
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   "source_out": 316.143,
   "transforms": [],
   "why": "state 1, excerpt C: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/061890c6-2a80-5f9d-aa23-5a1208411763/v4-conditional-luna-1/clips/e78f7433-8a1b-597e-9c02-eee50ac9b97d.mp4",
   "clip_start": 310.143,
   "source_slug": "kentucky-pioneers-061890c6"
  },
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   "position": 4,
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   "dur": 6.0,
   "source": "16mm Motion Picture Projector: Operating Techniques, The",
   "year": 1961,
   "slug": "16mm-motion-picture-projector-operating-techniques-the-9988f47e",
   "clip": "06a4fbf0-0381-555f-b85c-e68bfb58cd77",
   "source_in": 111.511,
   "source_out": 117.511,
   "transforms": [],
   "why": "state 1, excerpt F: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/9988f47e-c74b-55cc-b195-f16f32d6b2a2/v4-conditional-luna-1/clips/06a4fbf0-0381-555f-b85c-e68bfb58cd77.mp4",
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   "position": 5,
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   "dur": 3.0,
   "source": "Amateur Film New Jersey B",
   "year": null,
   "slug": "amateur-film-new-jersey-b-ce960587",
   "clip": "b8baa694-da61-5de7-9084-f99e6363252f",
   "source_in": 221.117,
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   "transforms": [],
   "why": "state 1, excerpt J: the editor's own choice, not mine",
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  {
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   "transforms": [
    "last frame held 1.2s"
   ],
   "why": "reset, declared"
  },
  {
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   "why": "state 2, excerpt A: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/54e2d1cf-1cd8-5731-ba47-6e42ec6ffce2/v4-conditional-luna-1/clips/cb5a0455-bd09-5532-9d3e-b6c402b83f71.mp4",
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  },
  {
   "position": 8,
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   "dur": 3.167,
   "source": "Place to Live, A",
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   "why": "state 2, excerpt G: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/7f791137-0a84-559e-8495-4714858bf07f/v4-conditional-luna-1/clips/39e0a0fa-5d4c-52f0-a96a-679fc89662e0.mp4",
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   "source_out": 316.143,
   "transforms": [],
   "why": "state 2, excerpt C: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/061890c6-2a80-5f9d-aa23-5a1208411763/v4-conditional-luna-1/clips/e78f7433-8a1b-597e-9c02-eee50ac9b97d.mp4",
   "clip_start": 310.143,
   "source_slug": "kentucky-pioneers-061890c6"
  },
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   "position": 10,
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   "dur": 5.0,
   "source": "16mm Motion Picture Projector: Operating Techniques, The",
   "year": 1961,
   "slug": "16mm-motion-picture-projector-operating-techniques-the-9988f47e",
   "clip": "06a4fbf0-0381-555f-b85c-e68bfb58cd77",
   "source_in": 111.511,
   "source_out": 116.511,
   "transforms": [],
   "why": "state 2, excerpt F: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/9988f47e-c74b-55cc-b195-f16f32d6b2a2/v4-conditional-luna-1/clips/06a4fbf0-0381-555f-b85c-e68bfb58cd77.mp4",
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   "source_slug": "16mm-motion-picture-projector-operating-techniques-the-9988f47e"
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  {
   "position": 11,
   "at": 42.083,
   "dur": 4.0,
   "source": "Amateur Film New Jersey B",
   "year": null,
   "slug": "amateur-film-new-jersey-b-ce960587",
   "clip": "b8baa694-da61-5de7-9084-f99e6363252f",
   "source_in": 221.817,
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   "transforms": [],
   "why": "state 2, excerpt J: the editor's own choice, not mine",
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   "clip": "black.mp4",
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    "last frame held 1.2s"
   ],
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  },
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   "slug": "plastics-54e2d1cf",
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   "why": "state 3, excerpt A: the editor's own choice, not mine",
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   "why": "state 3, excerpt G: the editor's own choice, not mine",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/7f791137-0a84-559e-8495-4714858bf07f/v4-conditional-luna-1/clips/39e0a0fa-5d4c-52f0-a96a-679fc89662e0.mp4",
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   "why": "state 3, excerpt C: the editor's own choice, not mine",
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   "transforms": [],
   "why": "state 3, excerpt F: the editor's own choice, not mine",
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   "why": "state 3, excerpt J: the editor's own choice, not mine",
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   "why": "reset, declared"
  },
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   "why": "state 4, shuffled, no word list, excerpt A: the editor's own choice, not mine",
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   "why": "state 4, shuffled, no word list, excerpt J: the editor's own choice, not mine",
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   "why": "state 4, shuffled, no word list, excerpt H: the editor's own choice, not mine",
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   "why": "state 4, shuffled, no word list, excerpt L: the editor's own choice, not mine",
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   ],
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/936fd497-b175-5879-bdc5-14f944314d8b/v4-conditional-luna-1/clips/599bf04d-1772-5d4f-8f84-d1c4caba8599.mp4",
   "clip_start": 290.157,
   "source_slug": "alice-in-wonderland-936fd497"
  },
  {
   "position": 28,
   "at": 96.0,
   "dur": 9.0,
   "source": "the two films side by side",
   "year": null,
   "slug": null,
   "clip": "compare.mov",
   "source_in": 0,
   "source_out": 9,
   "transforms": [],
   "why": "intact recurrence beside a changed one",
   "sound_from": [
    {
     "source": "both soundtracks, mixed",
     "authored": true
    }
   ]
  },
  {
   "position": 29,
   "at": 105.0,
   "dur": 4.708,
   "source": "account",
   "year": null,
   "slug": null,
   "clip": "black.mp4",
   "source_in": 0,
   "source_out": 2.2,
   "transforms": [
    "last frame held 2.5s"
   ],
   "why": "the account"
  }
 ],
 "reel": "img/reel.jpg",
 "reviews": [
  {
   "round": 1,
   "who": "independent critic (fresh Claude Sonnet 5.5 agent)",
   "verdict": "inconclusive, leaning reference stronger",
   "text": "VERDICT: inconclusive, leaning reference stronger. I cannot hear the film, so the sound requirement is unjudged.\n\nNoticed before the brief: at 00:20.870, 00:45.914 and 01:08.871 the picture goes black and small caption text appears (\"Working history cleared (1 of 3)\", and so on). The same five excerpts then return in the same order: the pencil curve, street sweeping, mallet and wedge, the empty chairs, and the mother with the toddler. The captions at 01:31\u201301:36 say \"five of twelve excerpts, in the same order, four times. Seven were never used.\"\n\nLargest gap: the film shows loop, not forgetting. Four identical passes, with identical speech each time (\"What are plastics?\" at 0.0, 23.1, 46.9 and 70.3), mean there is no variation to compare. The brief's \"intact recurrence beside a changed one\" is barely visible. The only change I can see is the 01:15 street shot, which shows a different frame of the same shot. The twelve-excerpt archive is claimed in text only, since only five appear.\n\nRepairs:\n1. At 01:15.132\u201301:36.002, the final pass must hold one excerpt unchanged and one visibly altered, with a caption naming which is which. Check by frame-diffing it against the pass at 52.175.\n2. At 20.870, 45.914 and 01:08.871, each reset card should hold at least 3s and read as legible, since it is currently tiny and low-contrast. Check that the text is at least about 4% of frame height.\n3. Make each pass use at least one different excerpt of the twelve, in at least 2 of the 4 passes. Check by counting unique sources, which should be above 5.\n\nStrength to protect: the black reset cards cut hard between the passes, and the identical opening line at each pass makes the return recognizable.",
   "builder_note": "Fair: the first version was four passes of the same five excerpts. A fifth editor, given a shuffled sheet and no list of what is said, was added as the changed recurrence.",
   "packet": {
    "note": "This round's packet images were overwritten when the next round's packet was built, so they are not kept."
   }
  },
  {
   "round": 2,
   "who": "independent critic (fresh Claude Sonnet 5.5 agent)",
   "verdict": "reference stronger",
   "text": "VERDICT: reference stronger (leaning inconclusive). I cannot hear the film; speech recognition in hiss may be false.\n\nNoticed before the brief: at 0:20.9 to 0:23.3 the screen goes black with the text \"Working history cleared. (1 of 3)\". After it, the same cycle restarts. The drawn curve (0:00), the street sweepers, the carpenter and the chairs return in identical order at 0:25.6, 0:48.9 and 1:14.5. The transcript repeats \"What are plastics?\" at 0:24, 0:49, 1:14 and 1:35. The loop reads clearly, and the black cards act as the resets.\n\nLargest gap: the changed state 4 is not legible. The final split screens (1:35 to 1:44) look nearly identical, left against right. The caption says \"Clearing the history changed almost nothing\", but the sheet shows no visible change to point to. Sound is also degraded and garbled by state 3 (\"Retie\", \"come ball the brake ball\"), with no sign this was meant. The film announces its finding instead of letting the viewer find it.\n\nRepairs:\n1. At 1:35.4 to 1:44.8, make the left and right panels differ in one checkable way, such as the order of two shots or the cut at 1:42.4. A viewer with the sound off should be able to name the difference.\n2. At 1:09.8 to 1:14.5, hold the third reset card so the transcript at 1:12 to 1:14 matches it. Condition: ASR returns \"plastics\" cleanly after the reset.\n3. At 1:44.8 to 1:51.7, the black final card sits over silence (-91 dB from 1:46). Cut it to 3 s or add a returning sound cue.\n\nProtect: the identical black reset cards at 0:20.9, 0:46.6 and 1:09.8. They are the clearest recognition device in the film.",
   "builder_note": "The side-by-side was changed after this round to show the stretches where state 1 and state 4 differ. The closing statement rests on one trial.",
   "packet": {
    "sheet": "img/critic-r2-sheet.jpg",
    "transcript": "critic/transcript-r2.txt",
    "note": "the cut before the side-by-side was changed to the stretches where the two states differ"
   }
  }
 ],
 "repairs": [
  "Added the fifth editor with a shuffled sheet and no list.",
  "Enlarged the reset cards and held them longer."
 ],
 "notes": {
  "worked": [
   "The four editors never saw each other's results or this film. Each answer is kept verbatim in audit/log.json.",
   "The black reset cards and the identical first line make the recurrence recognisable."
  ],
  "failed": [
   "I gave the first four editors a list of what is spoken in each excerpt. They built on it, so clearing their history changed almost nothing. The finding is about my prompt more than about forgetting.",
   "The finding rests on one trial; the film says so."
  ],
  "open": [
   "Repeat with several seeds, several models, and with and without the list.",
   "Test what an editor does when the same history is cleared but the sheet is shuffled each time."
  ]
 },
 "extras": [
  {
   "title": "The five editors",
   "html": "<p>Each editor was a fresh agent with no record of any other. States 1-4 received a sheet of the twelve excerpts (below) <b>plus a list of what is spoken in each</b>. The control received the same excerpts on a shuffled, relabelled sheet <b>with no list</b>. Excerpt letters in the control row are mapped back to the collection's letters. State 4 gave the same answer as state 3, so the film plays states 1, 2, 3 and the control.</p><div class='w'><table><tr><th>state</th><th>shots (excerpt, in-out in seconds)</th><th>the editor's reason</th></tr><tr><td>1</td><td>A 0-4.17, G 0-3.15, C 0-5, F 0-6, J 0.8-3.8</td><td>The voices chain into one mock-didactic question about what can be made from raw matter (plastics, then 'make out of this?' over street sweepings, then the carpenter's stool, then 'Seats' in an empty hall) until the talk stops and a mother and child walk silently toward the camera like the first audience arriving.</td></tr><tr><td>2</td><td>A 0-4.17, G 0-3.15, C 0-5, F 0-5, J 1.5-5.5</td><td>A hand draws a line from nothing and two voices ask what this stuff is and what anyone can make of it, the carpenter's stool and the man setting out 'Seats' answer with work, and the mother and child walking toward the camera in hiss are who it was all made for.</td></tr><tr><td>3</td><td>A 0-4.17, G 0-3.15, C 0-5, F 0-6, J 2.2-5.2</td><td>A hand's drawn line asks what plastics are and the sweepers ask what anyone can make out of this, then the answer comes as work (a stool, then a man setting rows of seats) before the talk stops and a child walks toward the camera in hiss, the one thing here nobody manufactured.</td></tr><tr><td>4</td><td>A 0-4.17, G 0-3.15, C 0-5, F 0-6, J 2.2-5.2</td><td>A chain of spoken questions and answers runs from the drawn line through the swept slum street to the carpenter's stool and the man setting out 'Seats', then the talk stops and a mother and child walk silently forward as if arriving as the audience for those chairs.</td></tr><tr><td>control</td><td>A 0-3.6, J 2-5.2, H 0.7-2.7, L 3-5.6, G 0.4-2.4, C 0.6-2.4, B 0.6-2.6, F 1.6-4.2, D 2.2-4.2</td><td>A hand draws a line and the film follows it through a day of small repeated gestures, from a child's first steps through dressing, kitchen, sweeping, hammering and bowling, with each downward stroke handing on to the next until a man stoops among empty chairs and a woman stands alone in an open field.</td></tr></table></div><p>The collection:</p><ul><li><b>A</b> homonym, clip 13, source seconds 0.1-4.27</li><li><b>B</b> split-second, clip 65, source seconds 14-19</li><li><b>C</b> kinetic, clip 143, source seconds 1-6</li><li><b>D</b> chase, clip 72, source seconds 0.7-6.7</li><li><b>E</b> chase, clip 2, source seconds 5-10</li><li><b>F</b> anybody, clip 46, source seconds 0.3-6.3</li><li><b>G</b> anybody, clip 240, source seconds 1.15-4.3</li><li><b>H</b> almost-human, clip 1, source seconds 29.9-35.2</li><li><b>I</b> collective, clip 1, source seconds 14.5-20.5</li><li><b>J</b> mnemonil, clip 74, source seconds 3-9</li><li><b>K</b> terra, clip 38, source seconds 3-9</li><li><b>L</b> planimetric, clip 16, source seconds 1-7</li></ul>",
   "images": [
    {
     "src": "img/collection-sheet.jpg",
     "caption": "The sheet given to states 1-4."
    },
    {
     "src": "img/control-sheet.jpg",
     "caption": "The shuffled sheet given to the control (letters Q-Z, M, N), no list of speech."
    }
   ]
  }
 ],
 "files": [
  {
   "path": "edl.json",
   "label": "edit list: every in, out, gain and reason, as written"
  },
  {
   "path": "ledger.json",
   "label": "ledger: each shot traced to its source seconds"
  },
  {
   "path": "brief.md",
   "label": "the brief the critic received"
  }
 ]
}