{
 "slug": "almost-human",
 "title": "ALMOST HUMAN",
 "state": "proof in progress",
 "summary": "A man does up his collar and tie, first in profile and then facing us. Other people's small gestures begin and do not finish: a woman's hand rises to her mouth, a driver looks at his watch and away, a boy finds a loose button. The film returns to the first man, hands at the knot, and holds.",
 "video": {
  "src": "almost-human.mp4",
  "poster": "poster.jpg",
  "duration": 52.2,
  "width": 800,
  "height": 600,
  "card": "ends with a 5 s card naming every source"
 },
 "searches": [
  {
   "q": "a man straightens his necktie and collar in a mirror",
   "results": 24,
   "sheet": "img/sheet-a-man-straightens-his-necktie-and-collar-in-a-mirror-902c.jpg"
  },
  {
   "q": "a woman adjusts her hat, looking at herself",
   "results": 24,
   "sheet": "img/sheet-a-woman-adjusts-her-hat-looking-at-herself-e13a.jpg"
  },
  {
   "q": "a man checks his wristwatch and looks away",
   "results": 24,
   "sheet": "img/sheet-a-man-checks-his-wristwatch-and-looks-away-929c.jpg"
  },
  {
   "q": "a person hesitates in a doorway before going in",
   "results": 24,
   "sheet": "img/sheet-a-person-hesitates-in-a-doorway-before-going-in-287f.jpg"
  },
  {
   "q": "a nervous man tugs at his collar",
   "results": 24,
   "sheet": "img/sheet-a-nervous-man-tugs-at-his-collar-1df8.jpg"
  },
  {
   "q": "a woman smooths her dress and waits",
   "results": 24,
   "sheet": "img/sheet-a-woman-smooths-her-dress-and-waits-6199.jpg"
  },
  {
   "q": "a man buttons his jacket before going in",
   "results": 24,
   "sheet": "img/sheet-a-man-buttons-his-jacket-before-going-in-dbbf.jpg"
  },
  {
   "q": "a woman touches her hair nervously",
   "results": 24,
   "sheet": "img/sheet-a-woman-touches-her-hair-nervously-ddab.jpg"
  },
  {
   "q": "someone starts to speak and stops, close up face",
   "results": 24,
   "sheet": "img/sheet-someone-starts-to-speak-and-stops-close-up-face-b286.jpg"
  },
  {
   "q": "a man waits on a street corner looking at his watch",
   "results": 24,
   "sheet": "img/sheet-a-man-waits-on-a-street-corner-looking-at-his-watch-ec54.jpg"
  }
 ],
 "looks": [
  {
   "img": "img/strip-1_0-24.jpg",
   "clip": 1,
   "label": "#1 Speech: Platform Posture and Appearance (1949)",
   "used": [
    1,
    2,
    11
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-1_21-39.jpg",
   "clip": 1,
   "label": "#1 Speech: Platform Posture and Appearance (1949)",
   "used": [
    1,
    2,
    11
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-1_38-45.jpg",
   "clip": 1,
   "label": "#1 Speech: Platform Posture and Appearance (1949)",
   "used": [
    1,
    2,
    11
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-2.jpg",
   "clip": 2,
   "label": "#2 Act Your Age (1949)",
   "used": [],
   "in_cut": false
  },
  {
   "img": "img/strip-18.jpg",
   "clip": 18,
   "label": "#18 Control Your Emotions (1950)",
   "used": [
    6
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-18_12-17.jpg",
   "clip": 18,
   "label": "#18 Control Your Emotions (1950)",
   "used": [
    6
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-53.jpg",
   "clip": 53,
   "label": "#53 Two Pay Days (Part II) (1927)",
   "used": [
    4
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-63.jpg",
   "clip": 63,
   "label": "#63 Dial Comes To Town (undated)",
   "used": [],
   "in_cut": false
  },
  {
   "img": "img/strip-97.jpg",
   "clip": 97,
   "label": "#97 Weather Spotter In Action (Dramatization) (1950)",
   "used": [],
   "in_cut": false
  },
  {
   "img": "img/strip-100.jpg",
   "clip": 100,
   "label": "#100 How to Be Well Groomed (1949)",
   "used": [
    5
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-104.jpg",
   "clip": 104,
   "label": "#104 Something to Sing About (1937)",
   "used": [
    9
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-108.jpg",
   "clip": 108,
   "label": "#108 Two Pay Days (Part I) (1927)",
   "used": [
    7
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-110.jpg",
   "clip": 110,
   "label": "#110 Going Steady? (1951)",
   "used": [
    8
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-112.jpg",
   "clip": 112,
   "label": "#112 How Quiet Helps at School (1953)",
   "used": [],
   "in_cut": false
  },
  {
   "img": "img/strip-165.jpg",
   "clip": 165,
   "label": "#165 Fitting Faces (1940)",
   "used": [],
   "in_cut": false
  },
  {
   "img": "img/strip-166.jpg",
   "clip": 166,
   "label": "#166 Family Life (1949)",
   "used": [
    3,
    10
   ],
   "in_cut": true
  }
 ],
 "shots": [
  {
   "position": 1,
   "at": 0.0,
   "dur": 6.0,
   "source": "Speech: Platform Posture and Appearance",
   "year": 1949,
   "slug": "speech-platform-posture-and-appearance-0c43e4ba",
   "clip": "1d1e22e1-29f6-56c6-a519-ccd488dcf030",
   "source_in": 150.896,
   "source_out": 156.896,
   "transforms": [],
   "why": "the complete adjustment, profile: the instruction, then long seconds of a man doing up his own collar with nobody speaking.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/0c43e4ba-6f40-5a5f-a743-819fdcb420a9/v5-windowed-clip-split-1/clips/1d1e22e1-29f6-56c6-a519-ccd488dcf030.mp4",
   "clip_start": 128.996,
   "source_slug": "speech-platform-posture-and-appearance-0c43e4ba"
  },
  {
   "position": 2,
   "at": 6.0,
   "dur": 5.292,
   "source": "Speech: Platform Posture and Appearance",
   "year": 1949,
   "slug": "speech-platform-posture-and-appearance-0c43e4ba",
   "clip": "1d1e22e1-29f6-56c6-a519-ccd488dcf030",
   "source_in": 158.896,
   "source_out": 164.196,
   "transforms": [],
   "why": "same man, the tie, chin up, finished: the pause after it is the reason for this take.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/0c43e4ba-6f40-5a5f-a743-819fdcb420a9/v5-windowed-clip-split-1/clips/1d1e22e1-29f6-56c6-a519-ccd488dcf030.mp4",
   "clip_start": 128.996,
   "source_slug": "speech-platform-posture-and-appearance-0c43e4ba"
  },
  {
   "position": 3,
   "at": 11.292,
   "dur": 5.083,
   "source": "Family Life",
   "year": 1949,
   "slug": "family-life",
   "clip": "3d36b911-916e-57bc-a8d2-96e3e07a78a6",
   "source_in": 192.789,
   "source_out": 197.889,
   "transforms": [],
   "why": "a woman's hand rises to her mouth; the source film is about managing emotions. Different outcome, different life. Source's spoken line removed from under the gesture so no feeling is assigned to it (repair after critic).",
   "sound_from": [
    {
     "source": "Family Life",
     "year": 1949,
     "source_in": 192.789,
     "source_out": 193.989
    },
    {
     "source": "Family Life",
     "year": 1949,
     "source_in": 196.089,
     "source_out": 197.889
    },
    {
     "source": "Family Life",
     "year": 1949,
     "source_in": 196.089,
     "source_out": 197.889
    }
   ],
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/family-life/clips/0000189589-0000210477.mp4",
   "clip_start": 189.589,
   "source_slug": "family-life"
  },
  {
   "position": 4,
   "at": 16.375,
   "dur": 6.583,
   "source": "Two Pay Days (Part II)",
   "year": 1927,
   "slug": "two-pay-days-part-ii-fb48de69",
   "clip": "e7b69d19-8d9c-57a5-b7c7-6594b8ea8b4a",
   "source_in": 41.572,
   "source_out": 48.172,
   "transforms": [],
   "why": "1927 wrist check: the driver looks, the watch, and he looks away out the far side. No words.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/fb48de69-3b64-5929-9fb2-5b62c63edf25/v4-conditional-luna-1/clips/e7b69d19-8d9c-57a5-b7c7-6594b8ea8b4a.mp4",
   "clip_start": 38.272,
   "source_slug": "two-pay-days-part-ii-fb48de69"
  },
  {
   "position": 5,
   "at": 22.958,
   "dur": 2.208,
   "source": "How to Be Well Groomed",
   "year": 1949,
   "slug": "how-to-be-well-groomed",
   "clip": "dcd220b6-8fd5-5284-8c4d-e6ccabd15efc",
   "source_in": 100.998,
   "source_out": 103.198,
   "transforms": [],
   "why": "the hand at the chest actually finds something: a loose button.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/how-to-be-well-groomed/clips/0000098298-0000103203.mp4",
   "clip_start": 98.298,
   "source_slug": "how-to-be-well-groomed"
  },
  {
   "position": 6,
   "at": 25.167,
   "dur": 2.667,
   "source": "Control Your Emotions",
   "year": 1950,
   "slug": "control-your-emotions",
   "clip": "87b64fe6-4dc9-5cdf-bc08-42f8e9f40037",
   "source_in": 542.797,
   "source_out": 545.447,
   "transforms": [],
   "why": "hand to the face, narrated as tiredness by its own film, not by us.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/control-your-emotions/clips/0000531197-0000557791.mp4",
   "clip_start": 531.197,
   "source_slug": "control-your-emotions"
  },
  {
   "position": 7,
   "at": 27.833,
   "dur": 5.0,
   "source": "Two Pay Days (Part I)",
   "year": 1927,
   "slug": "two-pay-days-part-i-cad20f0f",
   "clip": "3848b7a1-d9b6-5fa0-a2c1-b6023a5a4e07",
   "source_in": 319.518,
   "source_out": 324.518,
   "transforms": [],
   "why": "a man reads a slip of paper and lowers it, 1927, silent.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/cad20f0f-109e-53e8-8207-1e5d084df9f6/v4-conditional-luna-1/clips/3848b7a1-d9b6-5fa0-a2c1-b6023a5a4e07.mp4",
   "clip_start": 318.118,
   "source_slug": "two-pay-days-part-i-cad20f0f"
  },
  {
   "position": 8,
   "at": 32.833,
   "dur": 3.708,
   "source": "Going Steady?",
   "year": 1951,
   "slug": "going-steady",
   "clip": "a7990cb7-aa5d-569c-97a7-6e44ffa848a9",
   "source_in": 353.751,
   "source_out": 357.471,
   "transforms": [],
   "why": "a seated man mid-conversation; his hands move and the line is cut before he finishes.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/going-steady/clips/0000351251-0000361094.mp4",
   "clip_start": 351.251,
   "source_slug": "going-steady"
  },
  {
   "position": 9,
   "at": 36.542,
   "dur": 2.708,
   "source": "Something to Sing About",
   "year": 1937,
   "slug": "something-to-sing-about-9d6b6728",
   "clip": "b2381506-41ef-53d7-9503-132c113acb3a",
   "source_in": 1337.77,
   "source_out": 1340.47,
   "transforms": [],
   "why": "nothing: someone alone between lines, 1937.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/9d6b6728-30c3-5f55-8d66-9b67b2db7a1d/v4-conditional-luna-1/clips/b2381506-41ef-53d7-9503-132c113acb3a.mp4",
   "clip_start": 1336.27,
   "source_slug": "something-to-sing-about-9d6b6728"
  },
  {
   "position": 10,
   "at": 39.25,
   "dur": 3.667,
   "source": "Family Life",
   "year": 1949,
   "slug": "family-life",
   "clip": "3d36b911-916e-57bc-a8d2-96e3e07a78a6",
   "source_in": 203.339,
   "source_out": 206.989,
   "transforms": [],
   "why": "the woman from shot 3 (same film), wider, seated by a lamp and a basket; she lowers her head.",
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/family-life/clips/0000189589-0000210477.mp4",
   "clip_start": 189.589,
   "source_slug": "family-life"
  },
  {
   "position": 11,
   "at": 42.917,
   "dur": 4.25,
   "source": "Speech: Platform Posture and Appearance",
   "year": 1949,
   "slug": "speech-platform-posture-and-appearance-0c43e4ba",
   "clip": "1d1e22e1-29f6-56c6-a519-ccd488dcf030",
   "source_in": 163.446,
   "source_out": 164.096,
   "transforms": [
    "last frame held 3.6s"
   ],
   "why": "return to the first setting after the action has ended: same wall, hands still at the knot, last frame held.",
   "sound_from": [
    {
     "source": "Speech: Platform Posture and Appearance",
     "year": 1949,
     "source_in": 171.296,
     "source_out": 172.796
    },
    {
     "source": "Speech: Platform Posture and Appearance",
     "year": 1949,
     "source_in": 171.296,
     "source_out": 172.796
    },
    {
     "source": "Speech: Platform Posture and Appearance",
     "year": 1949,
     "source_in": 171.296,
     "source_out": 172.796
    }
   ],
   "url": "https://pub-075ff01374c04555b51c9bc50f258b42.r2.dev/sources/0c43e4ba-6f40-5a5f-a743-819fdcb420a9/v5-windowed-clip-split-1/clips/1d1e22e1-29f6-56c6-a519-ccd488dcf030.mp4",
   "clip_start": 128.996,
   "source_slug": "speech-platform-posture-and-appearance-0c43e4ba"
  }
 ],
 "reel": "img/reel.jpg",
 "reviews": [
  {
   "round": 1,
   "who": "independent critic (fresh Claude Sonnet 5.5 agent)",
   "verdict": "inconclusive, leaning reference stronger",
   "text": "VERDICT: inconclusive, leaning reference stronger. I can't hear the film, so I couldn't judge the room-sound rhythm.\n\nBefore the brief: at 0-10s a man in suspenders adjusts his tie (0-5s, profile; 6-10s, frontal). The collar gesture reads as complete and the repetition is held. Then at 11-15s a woman cries into her fist, with the voice asking \"Isn't there a better way to manage ourselves?\" at 12.4s. That line pins an emotional meaning on a gesture, which is the opposite of the film's stated intent. The film looks like a montage of period-instruction footage, narrated by one lecturing voice.\n\nLargest gap: no memory-activating return. The sheet shows no return to the striped-wall setting after 10s. It ends on a standing man (44-47s) that has not appeared before, and the 43.1s line \"It's worth a try\" closes the film on a moral. The brief's 75s was not met either; the sheet runs 48s.\n\nRepairs:\n1. Add the return to the striped wall (0-10s) after the last gesture, at about 40-48s, with the man absent or his tie finished. Check that the same frame reappears after the 38s shot.\n2. Cut or move the 12.4-15.1s line over the woman. Check that 11-15s has no speech.\n3. The wristwatch (18-19s) is a 2s hold on an object with no visible outcome. Extend it with the next gesture's start, or cut to 20s with the driver's head turn. Check that something changes across the cut.\n\nStrength to protect: the 0-10s collar adjustment. It is long and complete, and the profile-to-frontal shift stays specific without music.",
   "builder_note": "True on the line pinned to a gesture and on the missing return; both repaired. The film is still shorter than the 75 s the proof asks for.",
   "packet": {
    "sheet": "img/critic-r1-sheet.jpg",
    "transcript": "critic/transcript-r1.txt",
    "note": "the first cut, before any repair"
   }
  }
 ],
 "repairs": [
  "Removed the spoken line from under the woman's gesture.",
  "Replaced the closing shot with a return to the first man at the same wall, last frame held 3.6 s."
 ],
 "notes": {
  "worked": [
   "Ten searches written as actions ('a man checks his wristwatch and looks away'), not emotions. Instruction and etiquette films answered best.",
   "The long uncut collar sequence is a source film's own 'appearance' lesson, used almost whole because its pause after the adjustment is the point.",
   "The 1927 silent clips carry raised hiss on purpose, so the cut never goes quiet."
  ],
  "failed": [
   "I could not see this film's contact sheets or filmstrips while cutting it: every image read returned a request-limit error. I cut from search titles, Whisper word timings, durations and loudness numbers. After the cut I checked each reason against frames of the final film and corrected five that described things the frames do not show (a hand 'climbing' to a collar, a slip 'pocketed', hands 'in the air').",
   "A line from the source film ('Isn't there a better way to manage ourselves?') had been left over a woman's gesture and assigned her a feeling. The critic was right; I rebuilt the audio under that shot from the source's own sound around the line.",
   "The first cut ended on a man not seen before and on a moral line. It now returns to the first man."
  ],
  "open": [
   "48 s against 75 s.",
   "The proof wants one gesture whose outcome differs between two people inside a pair of shots; the cut shows differences in sequence, not as a pair."
  ]
 },
 "extras": [],
 "files": [
  {
   "path": "edl.json",
   "label": "edit list: every in, out, gain and reason, as written"
  },
  {
   "path": "ledger.json",
   "label": "ledger: each shot traced to its source seconds"
  },
  {
   "path": "brief.md",
   "label": "the brief the critic received"
  }
 ]
}