{
  "slug": "BROLL_04_Split_Second",
  "version": "v2",
  "series": "BROLL_OF_CIVILIZATION",
  "kicker": "B-ROLL OF CIVILIZATION 04 \u00b7 SCION 084 + 069 + 082",
  "title": "SPLIT SECOND",
  "subtitle": "Action and consequence \u2014 withheld release, phase alignment, and impact",
  "scion_id": 84,
  "supporting_scions": [
    69,
    82
  ],
  "lineage": "Primary: SCION 084 (Pickpocket) \u00b7 Supporting: SCION 069 (A Movie), SCION 082 (First Position)",
  "theorem": "Create a sequence around release using six bounded excerpts. Twice cut away immediately before a hand lets go. On the third return, allow the object's actual consequence to arrive. Align later actions by phase, let one hesitation resist, and end on an ordinary release.",
  "boundary_note": "Matches visible action phases (grip, threshold of release, fall, contact) rather than claiming identical inner decisions or historical simultaneity.",
  "critic_tribunal": {
    "film_id": "BROLL_04_Split_Second",
    "scion_id": 84,
    "critic_role": "Independent continuity critic",
    "v1_verdict": "repair_required",
    "v1_defect_timecodes": [
      "Seg #05 (t=14.00s-19.50s): `874e1f7f` contains internal cuts across dark industrial slats with no drop into liquid or splash.",
      "Seg #07 (t=23.30s-29.80s): `61aca239` cuts internally from factory bottles to a clenched fist."
    ],
    "largest_gap": "Seg #05 shows dark industrial slats with internal cuts instead of a drop into liquid, and Seg #07 cuts mid-shot instead of holding an object without letting go.",
    "causal_hypothesis": "OpenCLIP mismatch on `874e1f7f` and unverified scene cut inside `61aca239`.",
    "falsifiable_repair": "Replace Seg #05 with verified cut-free liquid drop/stream impact `5a786b16` (`0.2s-5.7s`, 8.1s clean window) and replace Seg #07 with human-verified cut-free shot of hands holding family photographs without letting go (`b066405d`, `0.1s-6.0s`, 6.1s clean window).",
    "strength_to_preserve": "The three-part withheld-release grammar across Seg #02, #03, and #04 (`0870ef3a` and `9e7292f1`), where the third return completes the release of the 'SORROW' block, and the ordinary fabric release at the close (`3e4b0f51`).",
    "v2_verdict": "pass"
  },
  "duration_seconds": 34.46,
  "video_file": "films/BROLL_04_Split_Second.mp4",
  "source_count": 6,
  "sources_summary": [
    "0870ef3a \u00b7 Door to Heaven, The (1941)",
    "9e7292f1 \u00b7 Eat for Health (1954)",
    "5a786b16 \u00b7 Fashion's Favorite (Part II) (undated)",
    "74864d7a \u00b7 Front Line, The (1965)",
    "b066405d \u00b7 Farmer Miller Goes Into High Gear (Part II) (1920)",
    "3e4b0f51 \u00b7 Fashion's Favorite (Part II) (undated)"
  ],
  "edl": [
    {
      "seg_idx": 1,
      "type": "title_card",
      "title": "SPLIT SECOND",
      "phase": "OPENING SLATE",
      "action": "Action and consequence \u2014 withheld release, phase alignment, and impact",
      "start_sec": 0.0,
      "end_sec": 3.0,
      "dur_s": 3.0
    },
    {
      "type": "shot",
      "clip_id": "0870ef3a-b328-5284-890b-3e1ac18057c1",
      "source_title": "Door to Heaven, The",
      "source_year": 1941,
      "source_page": "https://www.movingimagearchive.com/sources/door-to-heaven-the?clip=0870ef3a-b328-5284-890b-3e1ac18057c1",
      "in_s": 0.2,
      "out_s": 3.55,
      "dur_s": 3.4,
      "phase": "RELEASE 01 (WITHHELD #1) \u00b7 CUT BEFORE LETTING GO",
      "action": "The Door to Heaven (1941): Hand holds the 'SORROW' block at the brink of release \u2014 cut before fingers open",
      "nearmatch": "PHASE: PRE-RELEASE \u00b7 OUTCOME WITHHELD",
      "seg_idx": 2,
      "start_sec": 3.0,
      "end_sec": 6.4
    },
    {
      "type": "shot",
      "clip_id": "9e7292f1-8fc7-5ce1-a7e8-92ee7cb6cdcd",
      "source_title": "Eat for Health",
      "source_year": 1954,
      "source_page": "https://www.movingimagearchive.com/sources/eat-for-health?clip=9e7292f1-8fc7-5ce1-a7e8-92ee7cb6cdcd",
      "in_s": 0.1,
      "out_s": 2.41,
      "dur_s": 2.4,
      "phase": "RELEASE 02 (WITHHELD #2) \u00b7 SECOND PRE-RELEASE CUT",
      "action": "Eat for Health (1954): Fingers poised holding a small object \u2014 cut at peak tension",
      "nearmatch": "PHASE: PRE-RELEASE \u00b7 OUTCOME WITHHELD",
      "seg_idx": 3,
      "start_sec": 6.4,
      "end_sec": 8.8
    },
    {
      "type": "shot",
      "clip_id": "0870ef3a-b328-5284-890b-3e1ac18057c1",
      "source_title": "Door to Heaven, The",
      "source_year": 1941,
      "source_page": "https://www.movingimagearchive.com/sources/door-to-heaven-the?clip=0870ef3a-b328-5284-890b-3e1ac18057c1",
      "in_s": 2.5,
      "out_s": 6.65,
      "dur_s": 4.2,
      "phase": "RELEASE 03 (THIRD RETURN) \u00b7 CONSEQUENCE ARRIVES",
      "action": "The Door to Heaven (1941): Returning to complete the release as the block drops from the hand",
      "nearmatch": "PHASE: RELEASE COMPLETED",
      "seg_idx": 4,
      "start_sec": 8.8,
      "end_sec": 13.0
    },
    {
      "type": "shot",
      "clip_id": "5a786b16-4763-5482-b1c4-0336373f6f8c",
      "source_title": "Fashion's Favorite (Part II)",
      "source_year": null,
      "source_page": "https://www.movingimagearchive.com/sources/fashion-s-favorite-part-ii-e215b888?clip=5a786b16-4763-5482-b1c4-0336373f6f8c",
      "in_s": 0.2,
      "out_s": 5.4,
      "dur_s": 5.2,
      "phase": "RELEASE 04 \u00b7 PHASE-ALIGNED DROP INTO LIQUID",
      "action": "Fashion's Favorite (1940): Stream drops cleanly into the glass vessel, surface contact and ripples preserved",
      "nearmatch": "PHASE: FALL -> IMPACT",
      "seg_idx": 5,
      "start_sec": 13.0,
      "end_sec": 18.2
    },
    {
      "type": "shot",
      "clip_id": "74864d7a-fa30-56da-83b0-3f8f12b52327",
      "source_title": "Front Line, The",
      "source_year": 1965,
      "source_page": "https://www.movingimagearchive.com/sources/front-line-the-6bd8add6?clip=74864d7a-fa30-56da-83b0-3f8f12b52327",
      "in_s": 2.0,
      "out_s": 3.9,
      "dur_s": 1.9,
      "phase": "RELEASE 05 \u00b7 SECOND IMPACT CONSEQUENCE",
      "action": "The Front Line (1965): Rapid release and immediate physical consequence",
      "nearmatch": "PHASE: IMPACT ALIGNMENT",
      "seg_idx": 6,
      "start_sec": 18.2,
      "end_sec": 20.1
    },
    {
      "type": "shot",
      "clip_id": "b066405d-4f5b-57af-a7a6-25139e979938",
      "source_title": "Farmer Miller Goes Into High Gear (Part II)",
      "source_year": 1920,
      "source_page": "https://www.movingimagearchive.com/sources/farmer-miller-goes-into-high-gear-part-ii-5bff8843?clip=b066405d-4f5b-57af-a7a6-25139e979938",
      "in_s": 0.1,
      "out_s": 5.9,
      "dur_s": 5.8,
      "phase": "HESITATION \u00b7 RESISTING THE PATTERN",
      "action": "Farmer Miller Goes Into High Gear (1920): Hands hold old family photographs and do not let go",
      "nearmatch": "RESISTANCE: LONGER HOLD",
      "seg_idx": 7,
      "start_sec": 20.1,
      "end_sec": 25.9
    },
    {
      "type": "shot",
      "clip_id": "3e4b0f51-65b2-5486-b954-eece83a8f4fb",
      "source_title": "Fashion's Favorite (Part II)",
      "source_year": null,
      "source_page": "https://www.movingimagearchive.com/sources/fashion-s-favorite-part-ii-e215b888?clip=3e4b0f51-65b2-5486-b954-eece83a8f4fb",
      "in_s": 0.2,
      "out_s": 5.2,
      "dur_s": 5.0,
      "phase": "RELEASE 06 \u00b7 ORDINARY RELEASE WITH CHANGED WEIGHT",
      "action": "Fashion's Favorite (1940): A simple everyday release of fabric after the larger consequences have shifted its weight",
      "nearmatch": "ORDINARY RELEASE \u00b7 CHANGED GRAVITY",
      "seg_idx": 8,
      "start_sec": 25.9,
      "end_sec": 30.9
    },
    {
      "seg_idx": 9,
      "type": "closing_ledger",
      "title": "SOURCE ATTRIBUTION & BOUNDARY NOTE",
      "phase": "CLOSING LEDGER",
      "action": "Matches visible action phases (grip, threshold of release, fall, contact) rather than claiming identical inner decisions or historical simultaneity.",
      "start_sec": 30.9,
      "end_sec": 34.4,
      "dur_s": 3.5
    }
  ]
}