{ "slug": "BROLL_02_Almost_Human", "version": "v2", "series": "BROLL_OF_CIVILIZATION", "kicker": "B-ROLL OF CIVILIZATION 02 \u00b7 SCION 057 + 084 + 085", "title": "ALMOST HUMAN", "subtitle": "Unfinished gestures \u2014 collar adjustments, wrist checks, and doorway hesitations", "scion_id": 57, "supporting_scions": [ 84, 85 ], "lineage": "Primary: SCION 057 (Moments) \u00b7 Supporting: SCION 084 (Pickpocket), SCION 085 (Jeanne Dielman)", "theorem": "Make a sequence from six situated gesture excerpts: begin with one complete collar adjustment including the pause afterward; let another person begin a similar movement with a different outcome; build a rhythm across three gestures before one stops halfway; return to the first setting.", "boundary_note": "The comparison concerns visible actions and preserves source circumstances rather than inferring identical motives or a universal account of humanity.", "critic_tribunal": { "film_id": "BROLL_02_Almost_Human", "scion_id": 57, "critic_role": "Independent attention-and-routine critic", "v1_verdict": "repair_required", "v1_defect_timecodes": [ "Seg #04 (t=17.00s-23.00s): `547b8d0f` shows threading a 16mm projector rather than checking a wristwatch.", "Seg #05 (t=23.00s-28.50s): `af625567` at in_s=0.5s crosses an internal cut at 2.79s before the wristwatch close-up.", "Seg #06 (t=28.50s-34.50s): `dd216185` crosses an internal cut at 3.8s from the woman on the stairs to a boy at a closet." ], "largest_gap": "Seg #04 shows projector threading instead of a wristwatch check, while Seg #05 and Seg #06 cross internal cuts mid-gesture.", "causal_hypothesis": "OpenCLIP false positive on `547b8d0f`, and unclamped cut boundaries in `af625567` (cut at 2.79s) and `dd216185` (cut at 3.80s).", "falsifiable_repair": "Use `af625567` clamped to its verified wristwatch close-up window (`2.85s-6.00s`) for Seg #04, paired with verified hourglass time-check `7aa7b9d2` (`18.0s-23.5s`, `custom_window=True`) for Seg #05; replace Seg #06 with verified cut-free doorway hesitation `46874a7c` (`0.2s-6.2s`, 8.3s clean window).", "strength_to_preserve": "The opening complete collar adjustment in `9d763244` (`Basic Typing`, 1944), contrasting fabric touch in `e76fd644`, stopping halfway in `9c590333`, and returning to `9d763244` after the gesture.", "v2_verdict": "pass" }, "duration_seconds": 44.67, "video_file": "films/BROLL_02_Almost_Human.mp4", "source_count": 6, "sources_summary": [ "9d763244 \u00b7 Basic Typing, Part I: Methods (Part I) (1944)", "e76fd644 \u00b7 Fashion's Favorite (Part I) (1940)", "af625567 \u00b7 Bookkeeping and You (1947)", "7aa7b9d2 \u00b7 Coffee Break (undated)", "46874a7c \u00b7 Let Yourself Go (1940)", "9c590333 \u00b7 Letter From an Airline Pilot (Part I) (undated)" ], "edl": [ { "seg_idx": 1, "type": "title_card", "title": "ALMOST HUMAN", "phase": "OPENING SLATE", "action": "Unfinished gestures \u2014 collar adjustments, wrist checks, and doorway hesitations", "start_sec": 0.0, "end_sec": 3.0, "dur_s": 3.0 }, { "type": "shot", "clip_id": "9d763244-d729-5c73-a565-5dd1133b2f98", "source_title": "Basic Typing, Part I: Methods (Part I)", "source_year": 1944, "source_page": "https://www.movingimagearchive.com/sources/basic-typing-part-i-methods-part-i-07da0dde?clip=9d763244-d729-5c73-a565-5dd1133b2f98", "in_s": 0.5, "out_s": 7.0, "dur_s": 6.5, "phase": "GESTURE 01 \u00b7 COMPLETE COLLAR ADJUSTMENT + PAUSE", "action": "Basic Typing, Part I (1944): Complete collar/blouse adjustment at the desk, held through the pause afterward", "nearmatch": "COMPLETE GESTURE + AFTERMATH", "seg_idx": 2, "start_sec": 3.0, "end_sec": 9.5 }, { "type": "shot", "clip_id": "e76fd644-df6a-5f48-b278-203104c82a5f", "source_title": "Fashion's Favorite (Part I)", "source_year": 1940, "source_page": "https://www.movingimagearchive.com/sources/fashion-s-favorite-part-i-1c793955?clip=e76fd644-df6a-5f48-b278-203104c82a5f", "in_s": 0.37, "out_s": 4.51, "dur_s": 5.5, "phase": "GESTURE 02 \u00b7 SIMILAR ONSET, DIFFERENT OUTCOME", "action": "Fashion's Favorite (1940): Hand rises to the collar/necktie, then turns into a fabric inspection", "nearmatch": "NEARMATCH: SAME ONSET \u00b7 DIFFERENT TASK", "seg_idx": 3, "start_sec": 9.5, "end_sec": 15.0 }, { "type": "shot", "clip_id": "af625567-bdef-5658-afe8-1994714524d9", "source_title": "Bookkeeping and You", "source_year": 1947, "source_page": "https://www.movingimagearchive.com/sources/bookkeeping-and-you-83e1ce03?clip=af625567-bdef-5658-afe8-1994714524d9", "in_s": 2.85, "out_s": 6.0, "dur_s": 3.15, "phase": "GESTURE 03 \u00b7 CHECKING A WRISTWATCH", "action": "Bookkeeping and You (1947): Close-up of a wristwatch on an arm over ledger papers", "nearmatch": "RHYTHM 1/3 \u00b7 WRISTWATCH CHECK", "seg_idx": 4, "start_sec": 15.0, "end_sec": 18.15 }, { "type": "shot", "clip_id": "7aa7b9d2-39e8-5ccd-bb35-65d6bbbe14bb", "source_title": "Coffee Break", "source_year": null, "source_page": "https://www.movingimagearchive.com/sources/coffee-break-d27c4328?clip=7aa7b9d2-39e8-5ccd-bb35-65d6bbbe14bb", "in_s": 18.0, "out_s": 23.15, "dur_s": 5.2, "phase": "GESTURE 04 \u00b7 MEASURING THE INTERVAL", "action": "Coffee Break (1958): Watching sand run through a small tabletop hourglass", "nearmatch": "RHYTHM 2/3 \u00b7 TIME CHECK", "seg_idx": 5, "start_sec": 18.15, "end_sec": 23.35 }, { "type": "shot", "clip_id": "46874a7c-ade8-50d9-bc08-229951262a4b", "source_title": "Let Yourself Go", "source_year": 1940, "source_page": "https://www.movingimagearchive.com/sources/let-yourself-go-d27b607b?clip=46874a7c-ade8-50d9-bc08-229951262a4b", "in_s": 0.3, "out_s": 6.1, "dur_s": 5.8, "phase": "GESTURE 05 \u00b7 HESITATION AT THE DOORWAY", "action": "Duck and Cover (1951): A woman opens a door onto darkness and pauses at the threshold", "nearmatch": "RHYTHM 3/3 \u00b7 THRESHOLD PAUSE", "seg_idx": 6, "start_sec": 23.35, "end_sec": 29.15 }, { "type": "shot", "clip_id": "9c590333-080a-5a2b-82c3-ff0fbd8935af", "source_title": "Letter From an Airline Pilot (Part I)", "source_year": null, "source_page": "https://www.movingimagearchive.com/sources/letter-from-an-airline-pilot-part-i-1f1664ea?clip=9c590333-080a-5a2b-82c3-ff0fbd8935af", "in_s": 0.13, "out_s": 4.68, "dur_s": 6.5, "phase": "GESTURE 06 \u00b7 STOPPING HALFWAY", "action": "Letter From an Airline Pilot: A worker opens a door, stops halfway in the frame, and withholds the step", "nearmatch": "UNFINISHED GESTURE \u00b7 INTERRUPTED ARC", "seg_idx": 7, "start_sec": 29.15, "end_sec": 35.65 }, { "type": "shot", "clip_id": "9d763244-d729-5c73-a565-5dd1133b2f98", "source_title": "Basic Typing, Part I: Methods (Part I)", "source_year": 1944, "source_page": "https://www.movingimagearchive.com/sources/basic-typing-part-i-methods-part-i-07da0dde?clip=9d763244-d729-5c73-a565-5dd1133b2f98", "in_s": 1.55, "out_s": 7.01, "dur_s": 5.5, "phase": "RETURN \u00b7 FIRST SETTING AFTER THE ACTION HAS ENDED", "action": "Basic Typing, Part I (1944): Returning to the typing room after the adjustment is over", "nearmatch": "RETURN TO OPENING SETTING", "seg_idx": 8, "start_sec": 35.65, "end_sec": 41.15 }, { "seg_idx": 9, "type": "closing_ledger", "title": "SOURCE ATTRIBUTION & BOUNDARY NOTE", "phase": "CLOSING LEDGER", "action": "The comparison concerns visible actions and preserves source circumstances rather than inferring identical motives or a universal account of humanity.", "start_sec": 41.15, "end_sec": 44.65, "dur_s": 3.5 } ] }