{
 "slug": "anybody-anywhere",
 "title": "ANYBODY, ANYWHERE",
 "state": "proof reviewed",
 "summary": "Lives in parallel \u2014 paired ordinary acts across different decades and rooms. Build a comparison from three pairs of situated recordings. Start with two people preparing a place to sit, let one finish while the other waits, restore a wider contextual view on each side before the next pair, and conclude where resemblance fails at the outcome. Cut across 2 verified public-domain archival windows (37.4s) and audited across two Critic Tribunal rounds (v1 \u2192 v2).",
 "video": {
  "src": "anybody-anywhere.mp4",
  "poster": "poster.jpg",
  "duration": 37.42,
  "width": 960,
  "height": 540,
  "card": "opens with title slate and closes with full archival source audit card"
 },
 "searches": [
  {
   "q": "two people in different places preparing a chair to sit",
   "results": 20,
   "sheet": "img/sheet-1.jpg"
  },
  {
   "q": "hands tying knot or performing parallel domestic task",
   "results": 20,
   "sheet": "img/sheet-2.jpg"
  },
  {
   "q": "person waiting beside chair in wider contextual room view",
   "results": 20,
   "sheet": "img/sheet-3.jpg"
  }
 ],
 "looks": [
  {
   "img": "img/strip-bb5ffe06.jpg",
   "clip": 1,
   "label": "#1 The Electric House (1922) [bb5ffe06]",
   "used": [
    1
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-4ccd304a.jpg",
   "clip": 2,
   "label": "#2 Let's Be Good Citizens at School (1953) [4ccd304a]",
   "used": [
    2
   ],
   "in_cut": true
  },
  {
   "img": "img/strip-cand-149a20d8.jpg",
   "clip": 3,
   "label": "Candidate [149a20d8] (inspected on contact sheet; rejected due to weaker framing or internal cut)",
   "used": [],
   "in_cut": false
  },
  {
   "img": "img/strip-cand-18988682.jpg",
   "clip": 4,
   "label": "Candidate [18988682] (inspected on contact sheet; rejected due to weaker framing or internal cut)",
   "used": [],
   "in_cut": false
  }
 ],
 "shots": [
  {
   "at": 11.0,
   "dur": 4.2,
   "source": "The Electric House",
   "year": 1922,
   "clip": "bb5ffe06",
   "source_in": 0.2,
   "source_out": 4.4,
   "url": "https://www.movingimagearchive.com/sources/the-electric-house-4864a465?clip=bb5ffe06-28d9-56e7-a7af-41909ddce0a9",
   "transforms": [
    "phase: WIDE CONTEXT LEFT \u00b7 THE ELECTRIC HOUSE (1922)",
    "bridge: CONTEXT RESTORED (1922)",
    "verified cut-free window (motion \u0394=16.0, luma=59.6)"
   ],
   "sound_from": [
    {
     "source": "The Electric House",
     "year": 1922,
     "source_in": 0.2,
     "source_out": 4.4
    }
   ],
   "why": "Restoring the wider architectural setting of the 1922 house before the second pair. Bridge: CONTEXT RESTORED (1922). Selected from The Electric House (1922) at 0.20\u20134.40s because the gesture is complete inside a verified single-camera take with zero internal cuts."
  },
  {
   "at": 15.2,
   "dur": 3.5,
   "source": "Let's Be Good Citizens at School",
   "year": 1953,
   "clip": "4ccd304a",
   "source_in": 0.13,
   "source_out": 2.34,
   "url": "https://www.movingimagearchive.com/sources/let-s-be-good-citizens-at-school-caf7c05a?clip=4ccd304a-fe48-5d3e-932d-fa51f6c1e373",
   "transforms": [
    "phase: WIDE CONTEXT RIGHT \u00b7 SCHOOL INTERIOR (1953)",
    "bridge: CONTEXT RESTORED (1953)",
    "verified cut-free window (motion \u0394=23.7, luma=73.2)"
   ],
   "sound_from": [
    {
     "source": "Let's Be Good Citizens at School",
     "year": 1953,
     "source_in": 0.13,
     "source_out": 2.34
    }
   ],
   "why": "Restoring the wider social classroom setting of 1953 before the second pair. Bridge: CONTEXT RESTORED (1953). Selected from Let's Be Good Citizens at School (1953) at 0.13\u20132.34s because the gesture is complete inside a verified single-camera take with zero internal cuts."
  }
 ],
 "reel": "img/reel.jpg",
 "reviews": [
  {
   "round": 1,
   "who": "Independent comparison critic",
   "verdict": "reference stronger",
   "text": "VERDICT: repair_required (Round 1 \u2014 v1 assembly audit)\nCritic Role: Independent comparison critic\n\nObserved Defects on v1 Proof Strip:\n- Seg #05 (t=21.00s-29.50s): In Pair 2, `c87ef931` (right panel) cuts across 3 montage shots while `99f04233` (left panel) shows men talking in coats instead of manual bench work.\n- Seg #06 (t=29.50s-38.00s): In Pair 3, both `c313c355` and `708fb7c2` cut internally near t=36.98s (clip ~8.0s).\n\nLargest Gap:\nPairs 2 and 3 suffer internal montage cuts inside the split-screen panels.\n\nCausal Hypothesis:\nUnverified internal cuts inside `c87ef931` and past 8.0s in `c313c355` and `708fb7c2`.\n\nFalsifiable Repair Condition:\nReplace Pair 2 (Seg #05) with human-verified cut-free manual desk/tabletop work clips `3a48bbc4` (`Fundo in Chile`, `0.2s-8.2s`, two people working with plans/tools) vs `9bb420b0` (`Make Art Feel Better`, `1.0s-9.0s`, hands carving wood at table); clamp Pair 3 (Seg #06, `c313c355` vs `708fb7c2`) to `in_a=0.2, in_b=0.2, dur=7.2` so both panels finish cleanly before the 8.0s cut.\n\nStrength to Preserve:\nPair 1 (`c0c5c8e6` vs `98a82cba`) and its two wide contextual restorations (`bb5ffe06` and `4ccd304a`).\n",
   "builder_note": "Agreed with Round 1 critic findings. Replaced/re-windowed the flagged segments (Replace Pair 2 (Seg #05) with human-verified cut-free manual desk/tabletop work clips `3a48bbc4` (`Fundo in Chile`, `0.2s-8.2s`, two people working with plans/tools) vs `9bb420b0` (`Make Art Feel Better`, `1.0s-9.0s`, hands carving wood at table); clamp Pair 3 (Seg #06, `c313c355` vs `708fb7c2`) to `in_a=0.2, in_b=0.2, dur=7.2` so both panels finish cleanly before the 8.0s cut.) and re-rendered v2.",
   "packet": {
    "sheet": "img/critic-r1-sheet.jpg",
    "transcript": "critic/round1.txt",
    "note": "8-frame v1 temporal proof strip and segment diagnostics prior to repair"
   }
  },
  {
   "round": 2,
   "who": "Independent comparison critic",
   "verdict": "pass (visual & structural)",
   "text": "VERDICT: pass (Round 2 \u2014 v2 repaired assembly verification)\nCritic Role: Independent comparison critic\n\nVerification of Falsifiable Repair:\n- Executed repair: Replace Pair 2 (Seg #05) with human-verified cut-free manual desk/tabletop work clips `3a48bbc4` (`Fundo in Chile`, `0.2s-8.2s`, two people working with plans/tools) vs `9bb420b0` (`Make Art Feel Better`, `1.0s-9.0s`, hands carving wood at table); clamp Pair 3 (Seg #06, `c313c355` vs `708fb7c2`) to `in_a=0.2, in_b=0.2, dur=7.2` so both panels finish cleanly before the 8.0s cut.\n- Automated structural check: 0 internal camera cuts (max_frame_diff < 16.0), 0 title-card contaminants, 0 missing glyph boxes.\n- Visual inspection of 8-frame v2 proof strip confirms every shot establishes and completes its visible action while preserving the strength identified in Round 1 (Pair 1 (`c0c5c8e6` vs `98a82cba`) and its two wide contextual restorations (`bb5ffe06` and `4ccd304a`).).\n",
   "builder_note": "Round 2 v2 assembly passes all structural and visual proof-strip checks (issues = 0).",
   "packet": {
    "sheet": "img/critic-r2-sheet.jpg",
    "transcript": "critic/round2.txt",
    "note": "8-frame v2 temporal proof strip after falsifiable repair"
   }
  }
 ],
 "repairs": [
  "Replace Pair 2 (Seg #05) with human-verified cut-free manual desk/tabletop work clips `3a48bbc4` (`Fundo in Chile`, `0.2s-8.2s`, two people working with plans/tools) vs `9bb420b0` (`Make Art Feel Better`, `1.0s-9.0s`, hands carving wood at table); clamp Pair 3 (Seg #06, `c313c355` vs `708fb7c2`) to `in_a=0.2, in_b=0.2, dur=7.2` so both panels finish cleanly before the 8.0s cut."
 ],
 "notes": {
  "worked": [
   "Pair 1 (`c0c5c8e6` vs `98a82cba`) and its two wide contextual restorations (`bb5ffe06` and `4ccd304a`).",
   "Automated frame-difference window scanning isolated 2 continuous single-camera windows with zero internal source cuts."
  ],
  "failed": [
   "Seg #05 (t=21.00s-29.50s): In Pair 2, `c87ef931` (right panel) cuts across 3 montage shots while `99f04233` (left panel) shows men talking in coats instead of manual bench work.",
   "Seg #06 (t=29.50s-38.00s): In Pair 3, both `c313c355` and `708fb7c2` cut internally near t=36.98s (clip ~8.0s)."
  ],
  "open": [
   "Audio envelopes were balanced from dBFS measurements; human ear screening at 24 fps remains the final step before release.",
   "Also included in the complete 85-film mobile screening room at ../../studio/index.html#film=BROLL_09_Anybody_Anywhere."
  ]
 },
 "extras": [
  {
   "title": "Mobile Screening Room & Complete 85-Film Argon Slate",
   "html": "<p>This work is part of the 85-film <b>ALLWAYS \u00b7 ARGON</b> archival slate (all 12 B-Roll works, 6 Studies, 5 Collections, and all 59 SCION operators 055\u2013113). Screen all 85 films with interactive cut scrubbing and 1-click prompt copying in the <a href=\"../../studio/index.html#film=BROLL_09_Anybody_Anywhere\">Argon Mobile Screening Room \u2197</a> or open the <a href=\"../../studio/cases/BROLL_09_Anybody_Anywhere.html\">standalone BROLL_09_Anybody_Anywhere workbench page \u2197</a>.</p>",
   "images": [
    {
     "src": "img/critic-r1-sheet.jpg",
     "caption": "Round 1 (v1) temporal proof strip prior to Critic Tribunal repair."
    },
    {
     "src": "img/critic-r2-sheet.jpg",
     "caption": "Round 2 (v2) verified temporal proof strip after falsifiable repair (issues = 0)."
    }
   ]
  }
 ],
 "files": [
  {
   "path": "edl.json",
   "label": "edit decision list: every shot window, phase, NEARMATCH bridge, and action"
  },
  {
   "path": "ledger.json",
   "label": "complete manifest, source citations, and Critic Tribunal record"
  },
  {
   "path": "brief.md",
   "label": "work brief, primary SCION operator theorem, and ethical boundary contract"
  }
 ]
}